Wednesday, July 23, 2014

It's Raining Bofur Hats!

Maybe I'll cheat and just make a post describing my crafting process for Bofur hats. Because I was lazy today and didn't do anything epic. So my first attempt (mark I) was made with some corduroy and faux leopard fur I already had lying around, and was primarily meant to be a pattern test. I spent a long time browsing pictures of Bofur's hat, and looking at tutorials for similar "bomber hats" and "trapper hats." After a while, I came to the conclusion that I was basically wasting my time, as someone out there had probably already come up with a pattern. 

As predicted, someone had. I proceeded to steal their pattern, print it off, and make my mark I hat. It was actually really, really easy, despite the lack of instructions. Very self explanatory construction is always nice. Faux fur is awful to work with, though, and the hairs get everywhere. Remember to turn the fur over and trace your pattern on the backing, because if you don't, the mess when you cut will be at least 9.113 times worse. (The voices in my head gave me that figure; don't ask me where they got it). 

I then quickly assembled the three pieces, which my machine tried to eat, because that's what machines do. They like tasty fabric, especially really thick, substantial fabric. It's a lot more filling, I guess. Actually, for my mock up / mark I, I had to make two separate hats and then sew them together, which created a nice fur lining with the corduroy on the outside. 

Oddly enough, the way the pattern was sewn and the thickness of the fabric "ears" of the hat lent themselves really well to sticking out the way Bofur's do in the movie. Just a few tacking stitches were all it took.



When I made my mark II hat, though it was different. As mentioned in yesterday's post, I finished dyeing my Sherpa suede and cut out the pieces for the hat. Since the suede was two-sided, meaning it had suede on one side and a textured wool on the other, I didn't have to make a lining for the hat, but could just assemble it the way Bofur's is in the movie, because his is made from actual sheepskin. (When I get rich, I'll make an accurate one, but until that day comes... Sherpa suede will have to do.) The fabric was originally a light tan on the outside, and the "wool" was white. I dyed it in black polyester dye, and darkened the outside somewhat, while turning the wool a nice, light gray. 

Assembling the pieces was even easier than with mark I, as I only had to sew through two layers, not four. This done, I hand sewed the front, folded up piece of the hat, and tacked up the back and the edges of the ears. That makes them stiffer, so they want to stick out like those on Bofur's distinctive hat. The one drawback of the thinner fabric layer for mark II is that it didn't want to stick out quite as much as mark I did, so I'll have to apply a fabric stiffener later. 

Today, I applied the decorative stitches to the seams running along the cap, which was surprisingly quick and straightforward. There must be something wrong. I'm getting worried. Usually something goes horribly, horribly wrong at least once for each project (yesterday's dye apocalypse notwithstanding), and everything went together too well. *glances around suspiciously* Maybe the mischievous crafting sprites have taken the day off. 



But yeah, for any of you attempting Bofur's hat, the stitch used is very simple, and involves hand sewing diagonals across the seam, looping the thread back around each stitch before moving to the next one. That makes for a lot cleaner, more uniform look. I've seen some people sewing weird x's along the seams... don't do that! It's way more work, and it's not accurate. Silly people.

I am going to finish my third Bofur hat tonight, and then I'll probably be content. I don't have three heads, so I definitely don't need three hats. I'll probably donate the others to lucky friends. ;) You know who you are. The third one is actually faux leather (really nice faux leather, mind you, as I wouldn't waste my time with aught else), and a Sherpa fabric. The construction will be more like mark I, but I'm confident the end result is going to be awe-inspiring. I'll probably update this post with pictures when I'm done.

For tomorrow, expect a post on Thorin's tunic, and quite possibly a semi-tutorial. Or at least something mildly helpful for those making one of their own. :) 



Tuesday, July 22, 2014

Overdyeing Fabric - Dwarven Design of Epicness

Okay, so today I was dyeing Sherpa suede fabric for Bofur hats. *nodnod* It was fun. I mixed up a boiling vat of black polyester dye on the stove, and proceeded to add my Sherpa. Everything seemed to be going well, but then - the stick I was using to remove the fabric from the vat slipped.

Splat!

That was the noise of roughly five pounds of wet fabric sloshing back into the dye, spattering the wall, the counter, the stove top, the toaster, and the cupboard with concentrated black liquid. I won't deny a bit of "French" escaped my lips at that particularly happy moment.

Calmly, I removed the pot of dye to the back porch, then scrubbed the dye off the various surfaces it had splattered. Piece of cake. Okay, okay, maybe I wasn't calm, and maybe the wall behind the stove still looks like a weird, green Dalmatian, but still... I couldn't fixate over it. I had to be moving on. Living my artistic life.

So I resumed the dyeing process out on the back porch. (The back porch is now ruined, but I digress.) Thankfully, out of all this trauma, a Bofur hat came to be, and a valuable lesson was learned: dyeing ruins stuff. Be okay with having your stuff ruined, because it's clearly for a really good cause.

Once I'd had my fill of Bofur hats and their ilk, I decided I was still dying to dye. So I made a new batch of dye and overdyed this awesome white fabric I'd gotten from Hancock Fabrics the other day. The design woven into it was super dwarven, and I thought I'd bring it out more by overdyeing it in a grey-blue.


Which I did. And it worked. I don't know why that shocked me so much, but I was truly, genuinely astonished my evil scheme had actually succeeded, and the design didn't accept the dye while the fabric around the design did. Which is 100% what the costume designing team of The Hobbit did for Thorin's velvet over coat. They found a grey velvet with an awesome design and overdyed it, and it was majestic.

Now I've just got to figure out what to make with my dwarven fabric. Won't work for Thorin's coat because it's not velvet, but it looks like something he'd wear. An original design, maybe? *schemes*


Introduction

So basically, this new blog isn't really anything fancy or structured, and as I don't anticipate having much of an audience, it's more of a way for me to document my creative endeavors as I go than anything else. A bit of fun.

That being said, in the event my train-wreck of a creative process helps some other costumers out there - great. Learn from my mistakes, oh kindred craftsman, for I make many, and have an awesome time in the process. :)

Major future projects to watch for:

-"Prince Thorin" costume, featured at the beginning of The Hobbit: an Unexpected Journey
-Kili costume upgrades, as well as his coat, bow, quiver, and boots